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Reggae Riddims - The Foundation Of Reggae Music

Reggae Riddims - The Foundation Of Reggae Music

What is a reggae "riddim?"

"Riddim" is the Jamaican Patois term for the instrumental "rhythm" monitor of a song, VPRecords also called the "groove" or the "beat". Jamaican common songs, and lots of other types of Caribbean music, are built on riddims.

Riddims often encompass a outstanding bass line and a particular unique drum pattern and are truly the backbone of dub, reggae, lovers' rock, ragga, roots, dancehall, etc. Many riddims originate from successful track and the riddim carries the name of the music, for example I-Wayne's 2.04 hit "Lava Ground" on the Lava Ground Riddim. Or, in some cases, the riddim takes the title of the most well-liked song recorded on it. For instance, the Satta Massagana Riddim is called after The Abyssinians' original song "Satta Massagana".

Sometimes, an artiste will voice two fully different songs on the identical riddim. And it's quite common for various artistes to voice over the same riddims with totally different lyrics and completely different vocal types, ranging from singing to toasting. For example, Jah Treatment's "Call On Me", Gyptian's "Butterfly", and Tanya Stephens' "Reminiscing" are all on 2.09's great Good Love Riddim. The success of a riddim is judged by how many artistes "juggle" it, or make their very own vocal interpretations of it. Jamaican audiences will choose whether or not the tune is massive and, if so, other artistes will write new lyrics to "experience the riddim".

There may be more than a dozen in style present riddims, but there are usually only a few "hot" riddims at any given time. Artistes have to report over these scorching riddims if they need a greater shot at getting their songs played in the dancehalls or on the radio. Many instances a dance is even created in honor of the riddim, like Pepperseed, or Gully Creeper, or who can overlook the world's quickest man Usain Bolt's victory dance, "Nah Linga"?!!

The riddims don't at all times originate from reggae; some city modern songs could change into riddims as well. The instrumental of Ne-Yo's "Miss Impartial" has develop into a well-liked riddim; many dancehall artists have recorded songs using the track. Other songs have inspired riddims too, equivalent to George Michael's music "Religion," which grew to become a riddim of the same title, and R. Kelly's "Snake," which turned the Baghdad Riddim.

Forms of riddims

Riddims are African in origin and are usually one of three types. The oldest, the "classical" riddim, gives the instrumentals for dub, roots reggae and lovers' rock (well known producers embody Sly & Robbie). The "ragga" riddim backs (or used to back) raggamuffin and dancehall songs. And "digital" riddims (e.g., King Jammy's Sleng Teng Riddim) are created with computers, synthesizers and drum machines; in other words, they are really digital riddims.

The arrival of technology changed the whole business. No longer do it is advisable pay for studio time and hire musicians! This opened up the business to a whole new generation of producers, musicians and performers. Right this moment, most riddims backing dancehall and Soca are digital. Digital riddims, along with the worldwide reach and popularity of dancehall, have additionally spawned the creation of an increasing number of popular riddims exterior Jamaica.


"Versioning" is the term for recycling or rejuvenating old riddims using computers and samplers, and voicing over them with new artistes. Jamaica has been versioning for the reason that 1960s. A few of these riddims are many years old, lots of them popping out of Clement "Coxsone" Dodd's renowned Kingston studio, Studio One. Some great riddims got here out of Studio One within the '60s and '70s, and you will nonetheless hear them versioned in fixed rotation by sound techniques today.

Versioning might be controversial, nonetheless, because lots of those who produced the unique basic riddims by no means bought paid for the riddims themselves. It will be good to get some "royalties"!! However at the moment's artists argue that they're inspired by these classics and paying respect by versioning and re-popularizing them. Many Jamaican producers rely closely on variations although, previously decade, we noticed much less of this practice with hundreds of artistic new riddims being released.

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